Tuesday, September 08, 2009

Etienne Gallery Ashland Oregon

Title: Sophia's Green Wedges
Size: 18" x 24"
Medium: Collage

This collage piece, Sophia's Green Wedges, will be one of fifteen new pieces from my Stepping-Up Series available at Etienne Gallery in Ashland, Oregon. I am very pleased to be represented by this fine gallery in Ashland's Historic Railroad District...a popular art-lover's destination. If you find yourself in Southern Oregon in October, come on by the gallery or join me for the
First Friday Art Walk and Artist Reception
Friday Oct 2, 5-8 PM.

Oct 1 - Nov 12, 2009
Etienne Gallery
Stepping-Up Series
by Eileen Downes
270 Fourth Street
Ashland, OR 97520

Wednesday, August 12, 2009

Pence Gallery

Title: Playful Color
Medium: Collage
Size: 24" x 18"

This collage painting will be available at the
Pence Gallery in Davis California

August 25 - Sept 19, 2009
Pence Gallery Auction
212 D Street
Davis, CA 95616

Wednesday, April 29, 2009

new art at Hang It Up Gallery

Come on up the hill and visit Hang It Up Gallery, where I've just delivered some new collage paintings from my Stepping-Up Series...
Shoes Shoes and more Shoes!

Title: Fred's (Astaire) Dancing Shoes
(Stepping-Up Series)
Medium: Collage
Size: 24" x 18"

Don't worry, Ginger Rogers' shoes are there too...

Hang It Up Gallery
4359 Town Center Blvd. Ste 113
El Dorado Hills, CA 95762

Tuesday, April 21, 2009

Dallas Museum of Biblical Art Acquires My Art

Artist: Eileen Downes
Title: Open Door Policy
Size: 72" x 30" x 12" (36" opened)

I am very pleased to announce that the Museum of Biblical Art in Dallas, Texas is acquiring my conceptual art piece titled, Open Door Policy, from my Visions of Heaven Series for their permanent collection. The nationally recognized museum suffered a terrible loss of their fine art holdings in a fire in 2005. Since that devastating fire, they have rebuilt the museum and are scheduled to re-open in the fall of 2009 with a brand new collection of Biblical Themed artwork. Open Door Policy is a three dimensional interactive collage / assemblage where the viewer is invited to actually touch and open the antique door, revealing the collage tapestry of visions of heaven.

Monday, March 30, 2009

My art at the Salmagundi Art Club, New York City

Artist: Eileen Downes
Title: Marriage Fruit
Medium: Wax Collage
Size: 16" x 12"

I'm pleased to announce that my conceptual wax collage piece titled, Marriage Fruit, will be exhibited at the acclaimed Salmagundi Art Club in New York,
May 11 - 29, 2009, as part of the National Association of Women Artists 120th Celebration.

The Salmagundi Art Club originally formed as the Salmagundi Sketch Club in 1871, and used to meet in Johnathan Scott Hartley's studio. Then in 1917 a landmark mid-nineteenth century brownstone building located at 47 Fifth Avenue in Greenwich Village became the home for the gallery-club. Following a tradition of 138 years, the Salmagundi Art Club continues to serve as a center for fine artists from New York and around the country providing art exhibitions, classes, demonstrations and art auctions throughout the year.

For a virtual tour of the Salmagundi Art Club Gallery
click here:
Salmagundi Gallery Tour

Thursday, March 12, 2009

Article in Sacramento News and Review

In today's Sacramento News and Review there is a nice article by Emily Scott focusing on the work of 4 Sacramento artists (including me) who use recycled or reclaimed materials in artmaking. See the article below:

Garbage in, art out
Talking trash with four Sacramento artists
By Emily Scott

“Carol’s Lucky Shoes” by Eileen Downes, recycled-media collage.

“What a piece of trash!” That phrase uttered aloud might get you kicked out of an art gallery right on your tuchis. However, for four Sacramento artists who use old magazines, scrap metal, scavenged wood and other discarded objects in their creations, such words would undoubtedly be received as high praise. “I love walking through the scrap yard and seeing all this discarded waste and knowing that I will take some of it out of the landfill and create a beautiful sculpture with it,” says Kristen Hoard, sounding like a kid in a candy store. Hoard creates sculptures from discarded metal; her favorite recycled piece is a jellyfish made from the bottom of a Weber barbecue. “Whenever I tell anyone that it’s a Weber barbecue, they immediately see what it was originally and are amazed at what it turned into,” she says. In the studio, Hoard uses an environmentally friendly alcohol-based gel to heat up some of her sculptures. “The gel provides a nice warm fire element without the smoke and soot going into the environment,” she emphasized. Any leftover scrap metal is used in other projects, both her own and the artists she shares her studio with, so there’s very little waste. Jill Stafford, a collage and mixed-media artist, also creates works from recycled materials, such as old cigarette boxes. She paints the exteriors, adds some collage pieces and, depending on the piece, she may design the inside of the box as well. “I love the idea that I can give this object designed to promote smoking a completely different life,” she explains. In addition to using old cigarette boxes, she often finds that the roadside is a veritable smorgasbord of treasures. She often discovers discarded paper with unique fonts and perfect weathering. “Our resources are becoming so incredibly limited, why not utilize as many alternative objects as you can?” she asks. That is just what painter and printmaker Andrew Littlefield does. He works at a print shop, where he finds old pallets, plates from printing presses, paper and metallic Mylar sheets that are a byproduct of the proofing process. “We all need to reduce, reuse, recycle,” he says. “I’m hoping to set an example in the way I’ve been working with garbage.” Lately, Littlefield has been making transfer prints from his travels on reclaimed plywood, then putting on the finishing touches with pencil and charcoal. Green art isn’t a passing phase for Andrew. He uses reclaimed materials because it’s his favorite medium. “I know it’s important for all of us to do everything we can to be as green as we can,” he says. “It’s our responsibility to the future and to the next generation. I can see the artist community leading the way.” Eileen Downes, a self-proclaimed layerist collage painter, used to work for an environmental engineering firm. She creates paintings using torn pages from old magazines as her palette, creating a rough-around-the-edges mosaic effect. “I work the image by adding and subtracting tonal values of paper until I create the desired effect,” she says. Downes took a momentary break from her work to broach the eternal debate surrounding art. “Art is a reflection of life, what is going on in the nation and the world,” she says. Which just might mean society is finally starting to clean up its act. With that said, go recycle this paper. Or give it to Downes.

Monday, February 02, 2009